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Biography

Charlie Samuelson (BA Amherst College; PhD Princeton) is a specialist of medieval French literature. My research uses close textual analysis and looks to both medieval learned culture and modern theory to take to task entrenched notions about the gender and sexual politics of medieval texts. My monograph, Courtly and Queer: Deconstruction, Desire, and Medieval French Literature appeared in 2022 with the Ohio State University Press. This monograph considers in tandem two genres of verse narratives that have not previously been studied together: verse romances, best known for Chrétien de Troyes’s twelfth-century Arthurian fictions; and dits, associated with Guillaume de Machaut’s fourteenth-century narrative poetry. It makes the case for important continuities between these two genres both characterized by their extreme literary self-consciousness and studies how literary play and experimentation bleed, in these texts always about love, into issues of gender and sexual politics. Resisting the notion that medieval texts about “courtly love” are either (proto-)heteronormative or just unrelated to modern heteronormativity, as well as the tendency always to situate queerness at margins, this book explores how one facet of their “courtliness”—namely, their sophistication, as valued by medieval courts—maps in disruptive, even queer, ways onto influential modern conceptions of queerness. Recently, I have undertaken a new project on representations of sexual consent in medieval literature, for which articles have appeared in Romanic Review and Digital Philology. I am also an editor of the journal Exemplaria: Medieval/Early Modern/Theory.

Selected Publications

Courtly and Queer: Deconstruction, Desire, and Medieval French Literature. Series “Interventions: New Studies in Medieval Culture,” ed. Ethan Knapp, published by The Ohio State UP, 2022. 229pp.

‘Consent in the Old French Tristan Material: Thomas of Britain’s Ambivalent Representations of Female Sexual Trauma.’ Speculum, forthcoming.

‘Marie de France, Courtly Love, and the Concept of Consent.’ In The Cambridge Companion to Women’s Writing in French, ed. Siobhán McIlvanney and Shirley Jordan. Forthcoming.

‘“Yes and No Means Yes and No”: Sexual Consent in Yvain ou le Chevalier au lion.’ Digital Philology 12.1 (2022): 30-61.

‘Erec et Enide and the Concept of Consent.’ Romanic Review 113.2 (2022): 151-76.

‘Affirming Absence and Embracing Nothing: on the Paradoxical Place of Heterosexual Sex in Medieval French Verse Romance.’ Arthurian Literature 36 (2021): 79-104.

‘“He wishes that everyone were leprous like him”: Infectious Counternarratives in Ami et Amile.’ The Futures of Medieval French: Essays in Honour of Sarah Kay, ed. Jane Gilbert and Miranda Griffin (Boydell and Brewer, 2021). Pp. 71-84.

‘Queering Temporality and the Gender Binary in Flamenca.’ Postmedieval: a Journal of Medieval Cultural Studies 7.3 (2016): 431-55. ��������������������

‘The Beast that Therefore Chrétien is: the Poetics, Logic, and Ethics of Beastliness in Yvain.’ Exemplaria 27.4 (2015): 329-51. Winner of the 2016 Al & Judy Shoaf Prize.

‘De la filiation à la subversion: les modalités et enjeux des répétitions dans Aucassin et Nicolette et le Roman de Silence.’ Florilegium (2015) 32: 1-26.